想起初中时期在学校礼堂和教室看的《简爱》和《呼啸山庄》,从没有去探究过作者的生平。 “石楠花海在它的吹拂下似波涛翻涌,子夜、月光伴着闪闪繁星,黑暗与荣耀欣然相汇。大地升空、天庭陨落,将人的灵性从阴郁的地牢解放,冲破枷锁、逃出桎梏。”
艾米莉没有经历过爱情,一生都在故土创作,但她笔下有着最激烈的感情。文学总是像由悲苦而生的,荒野上开不出玫瑰,有的是女性主义的觉醒。
童年的四个孩子,每个孩子捏住一个小人,如果孩提时代就能够掌握创造人物的力量,那么他和神有什么区别。
他们在神父自己的家长大,神父就是他们的父亲,就好像是在伊甸园长大一样,自由自在的嬉戏打闹,常常运用的就是文学与戏剧的工具,四个神长大了,就算生活如此艰难,母亲和两个姐姐都去世了,离家接受教育,出去做家庭教师为生,也只有唯一的男神颓废了,剩下的三位女神都在她们短暂的在人间的光阴中,用巧妙的方法避开了当时的偏见,尽力施展出了自己的神性,有一种开启鸿蒙的气势,所有经历的痛苦都给了她们力量,类似于古希腊神话里的三女神。
电影经常出现的荒原景象,简直是在暗示,这就是一个奇迹,一个神迹。在大自然的景象如此荒凉的地方,生长出如此强健充满丰富想象力和细腻感情的文学。电影面出现了艾米莉的诗,太震撼了。每次情景合一的诗歌阅读,都是这部电影的精华,值得反复欣赏。
艾米莉是激情澎湃的诗人,夏洛蒂是有实干精神的小说家,而安妮是散文家。她的文弱气质让我最爱她。
At the beginning of movie, the young Bronte sisters and their brother Branwell were playing game in an empty palace with bright flames jumping on their heads. They caught dolls in hand, named them with joyful face. Branwell promised his sisters and those dolls that he would take care of them all his life, saying that one day they would all become kings. the Brontes hold up dolls overhead and flames on their heads rose upper.
In my opinion, the first 80 seconds are the seeds of whole movie’s clue, it put Branwell in an important place. Although the movie is about Bronte sisters, the director focused on the last three years of Branwell’s life. The clue of the whole movie is the comparison between Branwell and his three sisters in how to tap their writing talents. To most people, Branwell is only a vague shadow behind his sisters, or even doesn’t know there is such a person. However, it was Branwell who pushed the Bronte sisters to write. The flames above their heads are their inspiration in the field of literature, and the dolls in their hands are the symbols of their stories. They started out with the same talent, but ended up with very different results. The narrator of this segment is Charlotte’s poem We wove a web.
We wove a web in childhood
A web of sunny air
We dug a spring in infancy
Of water pure and fair
We sowed in youth a mustard seed
We cut an almond rod
We are now grown up to riper age
Are they withered in the sod
Are they blighted failed and faded
Are they mouldered back to clay
For life is darkly shaded
And Its joys fleet fast away
This poem implies that literary talent of them in their childhood will grow up or blight in the future. Branwell had better writing conditions than her sisters, failed to make good use of her writing ability and indulged in alcohol, thus losing the flame of literature. Unable to count on their elderly father and alcoholic brother, the Bronte sisters had to shoulder the responsibilities of the family by themselves. Inspired by Branwell’s words, Charlotte worked out a plan: to publish a collection of poems written by the three sisters and then publish novels. They succeeded and made a lot of money.
The end of the film echoes the beginning. The palace where they played together appeared again. The Bronte sisters were sitting at the table, Branwell hold a doll in his hand, but only the fire on his head had gone out. Then camera montage shows Branwell dying of illness. In the wilderness, the Bronte sisters walked together, and the dazzling rainbow rose, symbolizing the light of their efforts. Three suns hanging in the sky symbolize that the Bronte sisters are the three suns in the history of English literature, their literary will keep burning and guide future generations on the sky.
天哪艾米莉的诗太震撼了,即使放在电影这样的现代介质,也能牢牢驾驭广袤荒原和迸进的音乐。晚风忧戚,星如萤火,大地升空,天庭陨落。想起高中读《呼啸山庄》那种强烈的代入感。
你以为拿起枪就是勇敢?并不,真正的勇气是在平淡、无望、举目皆是重压、迈步四处碰壁的社会里,坚持自我地活下去。惊叹于那些激情奔涌几乎让纸张燃烧的文字竟然来源于如此琐碎的生活。结尾长镜头拉回现实,一下子就忍不住眼泪了。
这个传记片给人印象就是,导演是真的很不喜欢夏洛蒂啊…然后弟弟的戏份也确实太多太没趣。
最爱三段:夏洛特读艾米丽诗,伦敦书店,三日凌空。夏洛特如简爱坚毅果敢野心勃勃;艾米丽乖戾孤僻敏感悲悯,才气横溢却困囿于尘杂,她的才情是最超越时代的,不了解她的个性很难想象呼啸山庄的凄厉不安从何而来;安妮温婉识体,最被忽视但不可或缺,关键时刻主导时局。三人跳脱时代的魄力造就了其伟大
结尾一下带回现在,非常感动。
三姐妹的形象跟她们给我的印象非常符合,夏洛特:讨厌。艾米丽:愤怒、激情、才华。安妮:温柔美丽。不过虽然很不喜欢夏洛特,还是为她们骄傲。
果然是BBC的手笔,秉承其纪录片的风格,每一幅自然风光的影像都那么的美仑美奂。
三姐妹的故事说长也长,说短也短。这次的企划受时长所限,把她们和弟弟的形象塑造得太单薄,也许改成3集的迷你剧更好。结尾穿梭到现在,来到了故居,再跳回过去,三姐妹眺望远方。时光交错间让人再次感叹她们的魅力与伟大。给四星是因为期待BBC之后能够发觉更多“隐于书后”的故事。
一个走出来了,一个努力想要走出来,一个不想走出来,一个走不出来。
英国文学史中耀眼的奇迹,夏洛蒂、艾米莉、安妮,苦难、孤独、死亡、失败、痛苦没有击败她们的意志,相反,身处逆境的生活,却使她们激发出对理想的不懈努力。如同简•爱一样,夏洛蒂真诚又勇敢,秉承着爱与信仰;艾米丽独立又豁达,字里行间传达着强而有力的力量;安妮温柔内向,带给人恬静安心的感
首尾的超现实片段画蛇添足,差点让我以为打开了错的片子。不成器的弟弟身上抓马太多,三位女作家倒像是平淡的配角。在曾经那个年代,女作家写作、出书如同惊险的间谍活动,才华令她们不甘平庸,又给她们不安和惊恐,真实生活里,发生在她们身上最大的“戏份”估计就是匿名曝光的一刻了吧。
BBC英剧风格,慢慢展开,压抑而充满张力,隐忍而不乏温情,仿佛剧中空镜,云过天开。Charlotte的《Jane Eyre》,Emily的《Wuthering Heights》,Anne的《Agnes Grey》,三姐妹的作品是如何在现实的生活背景下诞生,趋于现实。PS景色很美,取景漂亮,让人想去英国旅游。但看过三姐妹画像,觉得演员略老
Legend but Sad.勃朗特三姐妹绝对是英国文学史上的三颗太阳。可惜Emily和Anne去世的太早。败家子弟弟促成了独立自强的三姐妹。剧里Chattlote的台词很喜欢,不愧是创造出Jane的人
父权社会,女人总是被当做小孩子或者是透明人。如果是男作者人们只会评论他的作品,如果是女作者人们还会品评她的为人。为了得到公正严肃的对待,天生有写作才华的三姐妹只能隐于书后用笔名尝试着出版自己的作品。夏洛蒂,艾米莉,安妮,文学史上难得的“三日当空”
结尾把勃朗特姐妹比作三日并出,实际上如果硬要作比喻的话,夏洛蒂大概是稳重进取的太阳,而艾米丽是敏感癫狂的月亮,安妮则是相对黯淡但却最温柔的星星。
女性用隐忍和坚强在苦难中存活,男性却自耽于无谓的情感直至消亡。
那个时代的不公、荆棘、磨砺没有击碎她们的鲜亮,相反让她们更显得可贵、灿烂,如耀眼的阳光。本该4星,但弟弟戏份过重,有些情节应当重却轻,有些应当轻却加重,扣一星
挑不出什么毛病。人物的多重性中首先立起来的是父权家庭和社会里女性身份这个核心。习惯于被理想化、浪漫化的三姐妹,其实一切不过始于没有继承权、也没能及时嫁出去的普通人家的女儿们,要怎样挣得一口面包。被放进她们的时代和阶级,才懂原来她们笔下所谓的浪漫是从绝望里长出来的。
觉得面对生活的磨难,其实女性比男性要坚韧不拔。勃朗特一家的唯一男丁,现在看来就是一个祸害额,拖累家庭让三姐妹为他擦屁股不说,墙裂怀疑他还把肺结核传染给姐妹们了。
所有的悲怆愤怒或温柔似水都因为生活曾待你们彼此。晚风忧戚,星如萤火,大地升空,天庭陨落,我的感官尽失,唯靠内心感受,因赤忱不能言明,唯丹心隐于书后。